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Wider Than A Postcard

by Citizen Fish

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1.
Sink or Swim 03:26
SINK OR SWIM Let's go down to the beaches And run from the edge of the sea See what the movement teaches A frail sense of autonomy Cold toes in the water Two steps from freezing feet Feel the strength as you go in deeper And the cold consistency And if there's anyone watching You dare not turn around Till your arms are doing the clutching As your feet leave the ground Control or capitulation A new sense of affinity Having lost all the hesitation But back there it was just the sea Just a blue mass on the postcards Just a place to race the boats Just a waveline on the blackboard And now see how long the illusion floats With risk co-ordination Swim half as far as you can We lose control of the situation When we think we've got it all pre-planned Back in dead-air building blocks We lose the urge to take a risk And calmly change our sandy socks Wishing there was more that this Stuck in these concrete houses We dry out in the heat Invent the worst excuses To stay there permanently Too many regulations Too many rituals The biggest risk was taken Deep-ending in the swimming pool The structured sand and water Reflects our structures lives We swim but never further Than the constraints of our minds Let's get back to the beaches Wider than a postcard And run straight into the sea Longer than a holiday That's what the movement teaches Sink or swim spontaneity See what citizen can be If we recall the deep blue sea That evolved our weary brains Getting shrunk from too much stress We either get back into swimming Or we sink into a mess!
2.
LANGUAGE BARRIER You know nothing will ever get solved If you feel you shouldn't get involved Claiming ignorance of what to say Or how to say it the 'proper' way Well you're nodding your head but building walls By keeping your thoughts invisible And blaming ignorance from everyone else For leaving you stranded by yourself Well they presumed that you were happy like that If you dropped the scowl you'd be in for a chat Maybe - it's as simple as what they see And they can see a lot So don't point the finger till you shaken the hand Get to know to way these people understand From strangers at a party - Who's that over there?- To those in a different country where the language makes you scared If you're in a solo situation Face to unknown face Start a walking conversation And then increase the pace The walls get built by silence But are easily replaced Cos in every style of language It is easy to relate And a smile or open signal Can lay the barriers to waste Pack a few less self-images And make it less of an ego trip And the distance will be nothing Between visitor and visited Words used such as 'strangers' Make us sink in hesitation But the language of intention Speaks out loud in all directions Once you've cleared your inner fears You can carry on for years!
3.
SAME OLD 'STARVING MILLIONS' There's a lot of people There's a lot of food There's a lot of money All being misused You feed the starving millions with donations of a quid Then you buy another telly cos that's what the neighbours did You flick across the channels And catch the evening news All those starving children Are staring right at you You're no longer feeling guilty cos you've given to the cause And there's another royal baby to help you ignore Who's doing very well thank you And that's all from the news at ten We'll be back with the sordid facts Covered over with trivial crap To help you stop thinking To keep you relaxed Same time tomorrow night See you then
4.
CONDITIONAL SILENCE Silence Considering musical violence As the airwaves break those anytime pauses Quiet reflection on the nature of noises Disturbing suburban platitudes Heard a yell that created a solitude Outside Opened the window wide My curiosity satisfied It was no-one I knew so I carried on hiding My instinctive reaction to join in the shouting And increase the volume, but a sense of doubt in My head Told me to shut up instead Return to the previous peace I'd been seeking For no other reason than to work out a theory That noise is just sound on a different scale To what we expect, so I started to yell Out loud Soon a curious crowd Was standing outside looking up at my window I looked out, they could see I was no-one they knew, so Their instinctive reaction to be part of the noise Or part of the reason for the silence destroyed Got hid "Nobody does" what I did Except for the person whose total immersion In this social excursion was more than diversion With a similar yell I could tell who he was The voice with a noise that I'd heard, and because One yell Had sort of broken the spell We laughed and we shouted in a lack of respect For the conditional silence that has come to connect All the neighbours as strangers living under the treat Of discovering life beyond what they expect
5.
BIG BIG HOUSE Picture a scene and pull it apart Who owns this field? Who drives that car? Who put up the sign saying this is mine Keep of the grass and keep in line CH- Big big house in the country side Souvenir shops don't close till nine Postcards do when the sun don't shine Please be gone by closing time Picture a scene and pull it apart Who built this house at the very start? Who was forced to work for some food in their hand And some space in the corner of the master's land? CH- This exploitation based on class Is here in the present like it was in the past History builds an image that we never look behind Someone's giving orders while the rest are kept in line Here it is your heritage Based on class and privelege Mr. and Mrs. Average Are thinking ''This is fine" Living somewhere in between The cardboard box and the limousine Part of their same society Conveniently re-defined
6.
Mind Bomb 04:42
MIND BOMB I've got a mind bomb disposal unit knocking on my head Checking out the rumour that I meant just what I said They've drawn so many chalk lines that I may as well be dead On the blackboard, on the pavement, but I won't eat what I'm fed I've seen the public access but they wouldn't let me in Conformity has dress code and I'm two stone overthin And anyhow the chances are they wouldn't let me in Presumptions give the innovator no chance to begin CH- It's either "Be one step ahead" or "Keep up with the rest" There's so many messages telling me they know what's best I've got a mind bomb disposal unit knocking on my head They've opened up the corridors and left the doors ajar With anoraks and plastic bags the consumer can go far Ashtrays fill and pinballs tilt to emphasise the scars Of a society raised on promises, falling back on credit cards So let's go on a cathode raid and steal some empty minds Fill 'em full of hopes and dreams and call it leisure time There's a guy who's got no T.V. and we've got him on the line Stay detuned for further progress, here's a few things you can buy I've strolled across the empty roads as pedestrianos stare At lights to turn from red to green, to get from there to there Billboard faces mock attention given unaware Reliance on subliminals and a defiance of being scared And here's a token comic strip at the bottom of the page It isn't very funny but we're laughing anyway Smiles are hard to come by when the picture starts to fade And someone's favourite punchline is another person's wage CH- I've thought in terms of relaxation, giving things a rest Cos the constant realisation leaves presumptions in a mess But every turn in the situation seems to be a test A dotted line for the mind to sign away its intellect The altered state of reality that's printed screened and said Is feeding time for the mind that knows of nothing else instead Keen to kill the essential will of refusing to be fed I've got a mind bomb disposal unit knocking on my head
7.
Chili Pain 01:39
CHILI PAIN The heat is hot like desert rain Floods of fire as I perspire All sensation feeds the flame "Did it before"... do it again! Something transmits to my brain Through chemical sparks that quickly drain Into the arteries and veins And throat! The scarcity Of any type of other need Like the cut without the bleeding Some intensity of feeding From the mass slowly reeling With physical mental sharpened feeling I could attack or defend Choose the time I spend Without counting the cost Without feeling a loss Almost any space increases As the twitching face decreases So push the essence and feel the gain Trace the source through the fire and pain
8.
GIVE ME BEETHOVEN... Give me Beethoven or give me death! Fasten your seatbelts hold your breath Don't wanna think about watery graves Blow me away on the turbulent waves Earphone chatline to the creator Keep this plane up a few hours later The C60 cycles the number five Across the air as we wave goodbye Give me Beethoven or give me death! To having any destiny control A new sense of fear with a love of the old Being able to gain from a shaking plane A proximity to death and maybe living again In musical form! Unconsidered before! Well that's quite a lofty ambition kid To be shaking up the aerospine like Ludwig did! But while the neighbours, unattached To Ludwig Van, were unrelaxed By thoughts of turbulence making cracks In their temporary home I was gone... despatched Give me Beethoven or give me death! To the flights of fancy nightmare edged That grasping strings, leap from the ledge And punctuating air with fists Like orchestrated masochists Cry "Freedom from all rational fear!" And hit the waves prepared to dive For what goes reaching down as deep As that which takes us all so high?
9.
Talk It Over 02:42
TALK IT OVER If all the things you say to me Were steps towards some unity I wouldn't keep on staring In semi disbelief Because as you say you'd do one thing You behave so contradictory So don't propound your theories If they don't reflect reality I don't know you very well I find it hard to even tell you That you don't do what you could do... if you wanted to So drop the image you have of me And talk a bit more openly Sat across the table in an empty house Are we ever really able to talk it out? Don't stop to count the amount of times we've tried Watching the walls as the conversation died Open the windows and look outside A million strangers walking by And us creating alibis For what we really feel inside You don't know me very well I don't know you very well We find it hard to even tell Each other that we'd like to talk it over Remove the cover, talk it over Find a corner, talk it over
10.
Offended 03:42
OFFENDED Grabbed by the shoulders he shook his head in desperation knowing whatever was said in this situation would only lead, like it had already led, to having his shoulders shaken again, by those that believed that when nothing was said then nothing was meant: yet by the shaking they could only prevent any one-to-one making clear of intent Not that merely waiting would've guaranteed a different state in this latent situation, and no amount of patience can replace a caring statement lined with an indication of the kind of slow frustration that no offered explanation of an action, lying beyond the comprehension, builds All the will in the world is never enough, nor the animosity that gets rough - some nameless touch is needed to calm the gaps between the offender and the offended, until the cracks that nature unintended in the minds of those where any hope has ended, are closed And once where necks were almost wrung the voices sing things never sung together, maybe not so much forever, but enough to keep unsevered the connections once begun
11.
CENTRAL NERVOUS SYSTEM Comfort? Sofa chair pacifying words A touch on the shoulder to tell me that you'd heard Understanding to attention just in case you heard it wrong A fear of contradiction cos your feeling can't belong To this given situation that no-one can take away A smile, a nervous glance, "Well I'll be back some other day" But you really had to go and left this atmosphere behind So now it's back to circumstance, solutions hard to find As I turn the burning embers of a past that recently I'd found harder to remember than I thought was good for me But once confirmed the truth had pulled that 'recently' to shreds Now the obvious lies bleeding and the future holds my breath Shall I turn the page and start again? Or throw the book away Shall I tell you of these feelings? Or find something new to say? It's the act of making choices Asking questions, hearing voices Mixing pain and self-resentment With a knowledge that contentment Is a process of selection Cos in every situation There are good and bad directions you can go You can wallow in the fantasy Regenerating memories Or use the open scenery Impulse flow more easily If all the good things disappear for what seems like eternity Remember you created them by being what you'll always be Receiving input, giving back what makes you tick in time Natural instinctive tack running up the spine Use your central nervous system To help make up your mind Looking out with indecision Wastes a lot of time If it feels good take the risk And here I am talking like this And saying 'you' instead of 'me'... But experience is globally perceived as being basically a common sense capacity to understand the variety of influence upon the way we are Having gone so far There is no reasoning can stop us once we've reasoned what we've got
12.
TRAFFIC LIGHTS When the traffic lights turned red And a car kept going, well, nothing was said It was quietly understood That if he could do it, anyone could But the queue remained and we felt the strain Of being the majority obeying the authority Of traffic lights turned red When the traffic lights turn green And the car in front couldn't start, it seemed Like he was holding us up to show We were happy to stop until told to go And the queue remained and we felt the strain Of being the majority needing the authority Of traffic lights turned green When the traffic lights broke down There was a whole lot of cars reaching out of town We were all too scared to move Until a man in a uniform told us what to do And as we drove on by We wondered why We hadn't gone the other way Or gone ahead and said "Hooray! The traffic lights are broken down!"
13.
SMELLS LIKE HOME You can't see the moon above the city The sky is always full of clouds Even when the sun's gone down It's like living on the underground Black and white in shades of brown And you can't breathe the air in the city With the fumes of cars and factories Your lungs ain't what they're used to be Breathe in the new complacency At least it's good for industry At least it's smells like home And you can't get a job in the city With all the new technology Robots run the factories It's sanitized economy Robots don't get lung disease And you can't get healthy in the city The sky is so grey It's like forty fags a day And the water is hard beneath the foam The despondency inside Merely reflects the concrete sky So let's go out Let's stay in - at least it smells like home

credits

released April 1, 1992

Voice/words- Dick
Guitar- Phil
Bass- Jasper
Drums- Trotsky

Recorded and mixed at Southern, London
21-28 November 91

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Citizen Fish Bath, UK

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